More than 12,000 managers signed up for Official A-Leagues Fantasy ahead of Round 1, and are either sitting back and basking in their opening points haul, or putting players on the chopping block after a slow start to the campaign. Secondly, midi key control so that you can play Colour Copy like a mono synth – each octave up doubles the delay rate.And just like that, Round 1 of the 2022-23 Isuzu UTE A-League campaign is in the books! We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Some people like to perform on their bbd hardware, pitching the regeneration up and down by twisting the rate knob. This latter option leaves the very first delay unaffected, preserving the overall stereo "space" while preventing the sonic mayhem that high regeneration often causes. An envelope follow signal derived from the input signal can be used to modulate the lfo frequency and depth, adding realtime dynamics to the effects.Ĭolour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. Crank up the modulation depth for deep pitch-shifting. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the lfo can create chorus, vibrato and tremolo effects. You never knew you'd want three different ways to create a ping-pong effect!Ĭolour Copy comes with a stereo lfo that can be used to modulate either the delay rate, the tap positions or the delay amplitude. ping-pong or "rushing" delays as well as various stereo chorus or flanger effects. This feature lets you move echos independently "forward in time" for e.g. Additionally, unlike hardware BBD units, Colour Copy's left and right output "taps" can be placed anywhere along the delay lines. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange/chorus effects to regular ping-pong delays and longer "looper" effects. Finally, a Brightness knob lets you adjust the bandwidth.Ĭolour Copy is capable of a huge variety of different delay-based effects. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The differences may be subtle, but each one is rich in detail. A single knob lets you continuously blend between the five finely-tuned "colour" macros.
how fast the "buckets" pass on their content), and this is why Colour Copy is smooth with a capital SMOO!ĭuring development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. Like a real bbd, Colour Copy changes the internal samplerate instead (i.e. If you quickly modulate or sweep the delay time on a typical digital unit, unmusical glitches propagate through the feedback as the buffer is shortened or lengthened. In most digital delays the delay time alters the size of the buffer.
A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features.
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